Margrethe Odgaard

Textile and colour designer Margrethe Odgaard approach colour as a rich sensory experience. By immersing herself in the intricate interplay of colour, material, and light, she seeks a deeper understanding of how we experience and emotionally connect with our physical surroundings.

Balancing her time between commercial collaborations with renowned companies like Kvadrat, Muuto, Montana, HAY, and IKEA, and an artistic practice rooted in self-initiated research and unique work, Odgaard has showcased her work in solo exhibitions at prominent museums such as Willumsen’s Museum (DK), Röhsska Museum (SE), Designmuseo Helsinki (FI), and Munkeruphus (DK). Since 2023, she has  been associated with the Parisian gallery Maria Wettergreen, where her unique works are exhibited and made available for purchase

Her work has garnered numerous prizes and awards, including the Three-year work grant from The Danish Arts Foundation in 2015, the prestigious Torsten & Wanja Söderberg Prize in 2016 and most recent The Art, Design, and Architecture Prize from the Einar Hansen og Hustru fru Vera Hansens Fond in 2023.

Before setting up her design studio in 2013, Odgaard worked as a printing assistant at The Fabric Workshop and Museum in Philadelphia, USA, followed by seven years as textile designer in the French fashion company EPICE. She graduated from The Royal Danish Academy of Fine Arts, School of Design in 2005 with additional studies at Rhode Island School of Design in USA.

Margrethe Odgaard Studio
Strandgade 75 C
3000 Elsinore, Denmark

Studio enquiries
hello@margretheodgaard.com

Y Arpeggios for piano, 2017

MO YAR 17

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‘Y Arpeggios for piano’ is a five track EP with piano instrumentals composed and performed by Faroese composer Teitur Lassen. It was released by Ferryhouse Productions in 2017 and accompanied by 5 woodprints by Margrethe Odgaard conceived as eye-music and printed at Steinprent, Faroe Islands. Consequently, the collaboration was made into a notebook printed in a limited edition of 20.

Y Arpeggios is based on the idea that you play mirrored patterns in the shape of a Y instead of traditional chords and harmonies. Arpeggiare is Italian and means to play on a harp. It refers to notes played in a sequence rather than ringing out simultaneously. Instead of playing in one key, Y Arpeggios uses two keys, for example C and F. The two root notes mirror each other; when one goes up, the other goes down and vice versa. Imagine your thumbs are the vertical line at the bottom of a Y and your remaining four fingers on each hand are playing the lines in mirrored contrary motion.

Eye music is a term for graphical notation of music dating back to the early Renaissance. It is unnoticeable by the listener when performed. The double circle of the woodcut print is an image of the two keys melting into one figure and of your two hands moving simultaneously in a mirrored pattern. Referring to studies of the connection between colours and sound, especially those of Isaac Newton from 1704, each colour appoints to a certain note like C as the colour red, D as the colour orange and so on. As patterns solid ash, Douglas, beech, oak, and elm tree have been used for their different grain.

Teitur Lassen and Margrethe Odgaard