Y Arpeggios, 2016

Y Arpeggios is a series of five woodprints conceived as eye-music as the visual part of ‘Y Arpeggios for piano’, composed by Teitur Lassen.

The concept of Y Arpeggios was developed by Teitur and is based on the idea that you play mirrored patterns in the shape of a Y instead of traditional chords and harmonies. Arpeggiare is Italian and means to play on a harp. It refers to notes played in a sequence rather than ringing out simultaneously. Instead of playing in one key, Y Arpeggios uses two keys, for example C and F. The two root notes mirror each other; when one goes up, the other goes down and vice versa. Imagine your thumbs are the vertical line at the bottom of a Y and your remaining four fingers on each hand are playing the lines in mirrored contrary motion.

Eye music is a term for graphical notation of music dating back to the early Renaissance. It is unnoticeable by the listener when performed. The double circle of the woodcut print is an image of the two keys melting into one figure and of your two hands moving simultaneously in a mirrored pattern. Referring to studies of the connection between colours and sound, especially those of Isaac Newton from 1704, each colour appoints to a certain note like C as the colour red, D as the colour orange and so on. As patterns solid ash, Douglas, beech, oak, and elm tree have been used for their different grain.

5 woodcut prints in an edition of 32 and notation for 5 music pieces. Cotton paper, ink, solid ash, Douglas, beech, oak, and elm wood. 56 x 76 cm.

Printed at Steinprent, Faroe Islands

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