Margrethe Odgaard

Textile and colour designer Margrethe Odgaard apply herself to the sensual quality of colour in the surface. She works with colour as a full, sensory perception and believes that products made with the intention of nourishing the body and mind will have a positive impact on the viewer. With her intense focus on the interaction of colour, material and space, she aims to become clearer about how we as humans experience and emotionally connect with the world around us.

Odgaard shares her time equally between commercial collaborations and an artistic practice based on self-initiated research. Her clients include Kvadrat, Muuto, Montana, HAY, IKEA and Georg Jensen Damask, and her exhibition catalogue includes solo exhibitions at Röhsska Museum (SE), Designmuseo Helsinki (FI), and Munkeruphus (DK). In 2015 she received the Three-year work grant from The Danish Arts Foundation and in 2016 she was awarded the prestigious Torsten and Wanja Söderberg Award (SE).

In addition to running her own studio, Margrethe Odgaard is part of the design duo Included Middle together with furniture designer Chris L. Halstrøm. The two designers design furniture and objects from the two simple questions: what if colour is seen as something suggesting form, and what it form is seen as something suggesting colour.

Before setting up her design studio in 2013, Odgaard worked as a printing assistant at The Fabric Workshop and Museum in Philadelphia, USA, followed by seven years as textile designer in the French fashion company EPICE. She graduated from The Royal Danish Academy of Fine Arts, School of Design in 2005 with additional studies at Rhode Island School of Design in USA.

Margrethe Odgaard Studio
Sturlasgade 14 T, 2.
Islands Brygge
2300 Copenhagen S
Denmark

Studio enquiries
hello@margretheodgaard.com

Ripple Throw for Muuto, 2017

MO RT(M) 17

1/4

Made by using a traditional Leno-weave technique, Ripple Throw is a mix between 2-3 colors of yarn, weaved together to give the throw its 3-dimensional ripple effect. From a distance, the Ripple Throw looks monotone, but at close range, an optic ripple pattern appears and changes according to its drape and movement.

Margrethe Odgaard: I wanted to create a throw that would feel like a second skin in a casual and elegant way. The airy structure is visually compelling, and I discovered that the air between the fibers form a heat-protective membrane. The result is a soft and warm throw that will keep your eyes intrigued because of its many nuances”.

100% cotton, 5 colours